Key ideas from the 58th VENICE BIENNALE I identify with

From Brazil: Visibility. Entitlement. Self-representation. Horizontal respectful relationship. Awareness of the complexities of contemporary self-representation. Suggesting the possibility of a collective consciousness rooted in individual action. Careful not to moralize the subject, not to inscribe the work into a pre-established discourse or theory.

FROM FRANCE: Non-linear layout. The audience is given the active role of finding the route. Numerous points of view, varied perspectives, different paths. Every choice is a step ahead. Getting lost becomes the opportunity of retracing, not the same as regretting, your steps.

FROM INDIA: Art as truth and performative experience, passive resistance, peaceful protest, minimal consumption. Space for self-reflection. Call for attentiveness. Invocation to shared futures.

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Chinese
I no longer see a clear distinction between “Western” and “Chinese” scholarship on Chinese art. DIFFERENCES IN LANGUAGE, readership, and academic environment certainly exist, BUT GLOBAL COLLABORATION AND MUTUAL LEARNING HAS BECOME THE DOMINANT TREND.
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CULTURE

Since there has been cultural evolution on planet Earth, we are not determined by the culture we belong to by birth. Both, location and the features of our body, are the starting point shaping our identity. But we are the ones saying the last word.

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The single-story creates stereotypes, and the problem with stereotypes is not that they are untrue, but that they are incomplete. They make one story become the only story.
Chimamanda Ngozi Adichie, TED Talk